WiseNatura
Copper-colored satin with curved highlights tracing its folds

Silk Fabrics

A 19-momme silk can have a matte, pebbled face or a smooth satin sheen. Momme tells you the weight. Turn the swatch in daylight to choose the surface.

A rust-colored slip dress with a fluid bias-cut skirt

The movement you want from silk

  • Show us the part that needs to drape, such as a bias skirt or a loose sleeve.
  • State the intended garment length.
  • If the dress has a lining, describe its shade and feel.
  • Tell us if you prefer a softer glow or a more reflective face.
  • Give a rough order length for each color.

From a draped sketch to a silk reference

A drawing can show the intended silhouette. A trial in the selected silk reveals how that silhouette moves.

Your sketch

Show our garment team the neckline, folds and length you have in mind.

Surface choices

We can look for a matte or more reflective silk among current references.

At sample stage

Try the silk over the intended lining, then lift it so the layers can shift.

Swatch weight

We compare references in momme and can check the equivalent in g/m².

A color to cut

The material and shade on the order give us a reference when cloth arrives.

Where it goes

Send the cutting room’s receiving address and any packing details for the roll.

Four uses for silk

A fine crepe can give a blouse a quieter surface. Satin puts more emphasis on the highlights along a fold.

A pale blue shirt dress with a long, fluid skirt

Reading momme on a silk swatch

Momme is a measure of fabric weight. Our reference range of 16–22 momme is approximately 69–95 g/m².

  • 16–19 momme
    Try this end of the range for a fluid shirt or blouse.
  • Around 19 momme
    A useful point to sample for workwear or a dress.
  • 19–22 momme
    Consider more substance for a dress or an outer layer.
  • Two similar weights
    Compare the actual weave, surface and fall before choosing.

What a moving skirt reveals

Hold the silk over the planned lining and step back far enough to see the full shape.

  • Fall
    Follow the uninterrupted line from waist to hem.
  • Coverage
    Check what shows through as the layers separate.
  • Cutting direction
    Tell us which way the panels will run, especially for a bias cut.
  • Width
    Ask for cuttable width before laying out long skirt panels.
A flowing green skirt showing how the fabric falls while walking
Ivory satin and pink matte swatches resting on matching fabric lengths

Shade and sheen under the light

One satin cutting can look quite different as you turn it. Compare colors with the faces pointing the same way.

  • Target
    A physical reference or Pantone color gives a starting shade.
  • Surface
    Lay matte and glossy options beside one another.
  • Light
    Look at the proposed silk under daylight and the lighting in which it will be worn.
  • Matching panels
    Identify pieces of a dress or set that need to share a dye lot.
A garment pattern and wooden ruler on blue cloth laid out for cutting

How much silk will the pattern take?

A bias-cut slip can have a very different layout from a straight-cut blouse.

  • Panel length
    Use the length from shoulder or waist to the intended hem.
  • Usable width
    Confirm the width that can go into the layout.
  • Trial cut
    Allow a separate length for the sample, lining comparison and hem.
  • Bulk quantity
    Send meters or yards by shade so we can check the available lengths.
A finished neckline and narrow shoulder strap on a rust-colored camisole

When the neckline is right

Save a piece of the silk that worked in the sample, particularly if the neckline or straps depend on the way it folds.

  • Sample record
    Mark the silk reference and momme on the cutting.
  • Face
    Indicate which side faces out.
  • Shade approval
    Attach the approved color to the same record.
  • Roll check
    Give the receiving team the code and shade it should expect.

Fiber, weave and records

Silk names a fiber. Satin describes a weave. Specify both when a particular sheen is part of the design.

Fine filaments along the raw edge of champagne-colored satin

Fiber declaration

Ask for the fiber percentages for the silk reference you select.

Confirm composition
Cream slub linen placed beside lustrous rust-colored silk

Surface comparison

Lay the silk beside a crisper linen to see how differently the same fold stands and falls.

Compare cloth by hand
Pink and ivory swatches attached to blank cards inside a taupe folder

Material paperwork

Name the report your buyer wants and the intended use so we can check what applies to this cloth.

Ask about a silk report
Hands lifting a striped swatch beside a matching blouse sample

Before releasing silk to the cutter

Check the roll reference against the order. Drape the delivered shade over the same underlayer you used when approving the sample.

Have a silk swatch in mind?

Send a cutting or photo, the momme you are considering, the color and the length per shade. We will check current options.

Ask about silk yardage
Weight
Momme
Appearance
Matte or lustrous
Quantity
Length per shade

Silk yardage questions

That depends on the silk, shade, current stock and the supplier’s cut or roll minimum. Tell us the length you need.
We can check whether a swatch or trial length is available for your silk. If you want us to make the dress sample, include the design and size. Garment sampling information.
Fabric has a separate dispatch estimate. We check the silk reference, stock, length, destination and any sourcing or testing requirements. How production and delivery work.
16–22 momme is roughly 69–95 g/m². Two fabrics with the same weight can still differ in coverage and drape, so handle the actual shade you plan to order.
Send the fabric or weave, composition, weight, usable width, shade, destination and quantity per color. Mark whether your lengths are in meters or yards.
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