WiseNatura
Frayed green linen laid in soft folds

Linen Fabrics

Pale linen trousers can show the outline of a pocket in daylight. Hold the swatch over the pocket lining, then crease it at the knee to see how the cloth will look after a morning’s wear.

A woman wearing a sage waistcoat and wide-leg trousers

A linen brief for a summer collection

  • Show us the shape of the shirt, trousers or dress.
  • Say how crisp or soft the cloth should feel.
  • Mention any lining, especially for a light shade.
  • Include a preferred weight and usable width if you know them.
  • Estimate the length per color so we can check the stock and minimums.

Sourcing for a matching summer set

A linen waistcoat and trousers put two different demands on one cloth. Tell us which detail matters most.

On the pattern

The waistcoat front needs enough body to hold its edge. Hang a longer piece of the same linen to see how the trousers would fall.

Possible blends

We check current linen and cotton–linen references in the colors you need.

A first cut

Try the swatch over your pocketing or lining to judge coverage.

Your layout

A wide trouser leg can set the minimum usable width for the whole set.

Before cutting

We check the incoming cloth against the material and shade agreed for the order.

For the workroom

If the two pieces go to the same cutter, tell us how the rolls should be marked and where to send them.

Linen for a holiday wardrobe

An open shirt can use an airy cloth. A trouser leg or a fitted waistcoat may need more body.

A green sleeveless top styled with wide-leg sand-colored trousers

Weight for shirts and trousers

The weight you sample depends on both the garment and how much coverage the color gives.

  • Resort shirts
    Look at 120–160 g/m² for a light shirt.
  • Wide-leg trousers
    Try 160–200 g/m² for trousers or a light outer layer.
  • Waistbands
    Build up the folded edge to judge thickness when the layers meet.
  • Dresses
    Hold the cloth at skirt length if possible and look at the fall.

Will the trouser pieces fit the width?

A wide leg can change the whole cutting layout. Ask for the usable width before you commit to a length.

  • Pattern width
    Include the widest part of the leg and the seam allowance.
  • Finished length
    Show where the hem should sit over a shoe.
  • A second style
    If the waistcoat uses the same cloth, include its pieces in the layout.
  • Length by shade
    Send separate estimates for the natural, dyed or striped options you want.
A wooden ruler laid across the width of a green cloth roll
Olive, sage and cream shade swatches fanned out in window light

Natural, dyed and striped linen

Surface texture is easiest to judge in the shade you will order.

  • Olive and sage
    Place neighboring shades together near a window.
  • White or cream
    Check for show-through over both the wearer’s underlayer and a doubled seam.
  • A stripe
    Look at a wider piece if the spacing matters at a shirt front.
  • The approved color
    Keep the physical swatch and its reference together for the order.
Paper bodice and sleeve patterns arranged on green fabric

From a sample length to a cutting order

A single summer set may use the same linen in the top and bottom. Work out both lengths before asking about stock.

  • Trial set
    Include enough cloth to try the crease and coverage in the cut.
  • Pattern matching
    Tell the cutter whether stripes should line up at the pocket or side seam.
  • Meters or yards
    Mark the unit next to each color total.
  • Roll lengths
    We check whether the available lengths suit your layout and quantity.
Oatmeal cloth unrolled beside green fabric with visible slubs and frayed edges

Keeping a linen set together

A waistcoat and trousers worn side by side make differences in shade and texture particularly visible.

  • Dye lot
    Flag the two pieces as a set when asking about stock.
  • Surface reference
    Retain the cutting that shows the texture you approved.
  • Specification
    Note whether the reference is linen or a cotton–linen blend and record its weight.
  • Roll marks
    Give your warehouse the references it needs to group the cloth.

Linen and cotton–linen side by side

Choose the crease and texture on the swatch, then confirm exactly what it contains.

Slubs and an open grid in an ivory linen cutting

Fiber mix

The cotton percentage matters if the buyer has specified a particular blend.

Check blend percentages
Smooth blue shirting beside coarse ivory linen

Feel after folding

Fold both swatches in the same direction and compare the hand and creasing.

Request a comparison
Fabric swatches attached to sample cards beside a folder

Documents for a buyer

Identify the record required and the intended use. What is available depends on the fabric and supplier.

Check available records
An open roll of neutral fabric on a cutting bench

Laying out the first roll

Put the approved cutting on the open cloth. Look along the width for the shade and texture you selected before cutting the pieces of a matching set.

Which linen would you like to try?

A photo of the garment and your notes on softness, color and coverage will help us choose swatches to discuss.

Request linen options
Finish
Crisp or soft
Color
Shade or stripe
Order
Length per reference

Questions about buying linen

The minimum depends on the linen reference, current stock and the length or roll requirement for each color. Send your quantities by shade.
Start by asking whether we have a swatch in your proposed shade. To discuss a sewn sample, include the pattern or reference and sample size. See the garment sampling process.
We can estimate dispatch after checking the reference, shade, length, destination and any sourcing or testing needed. Garment production times apply to sewn pieces. Details on production and delivery.
Try a trouser swatch around 160–200 g/m² alongside the 120–160 g/m² shirt range. Check coverage in the actual shade, particularly where a pocket sits underneath.
A preferred blend, target weight, usable width, colors, quantity in meters or yards per shade and destination. A cutting is helpful if the surface matters.
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