WiseNatura
Mauve brushed coating turned back to show its dusty rose reverse

Cashmere Fabrics

The turned-back cuff of a wrap coat shows both sides of the cashmere. Fold the coating to its finished depth to judge the color of the reverse, the thickness of the edge and the feel at the wrist.

A mauve wrap coat belted at the waist

The edges that will show

  • Tell us whether the coat is lined, open at the front or turned back at the cuff.
  • Show the hem and lapel shape you want.
  • If a second color should show on the reverse, include both shade references.
  • Specify any requirement for cashmere content.
  • Give a length estimate for each color and the width used in your pattern.

Choosing cloth for a wrap coat

A small cutting gives a first impression of softness. The collar and belt on a sample coat tell you more about bulk.

Coat construction

Where the coat fronts overlap, you’ll be wearing two layers of cloth. Feel that thickness as well as the single layer at the back.

The cloth library

We check current cashmere and cashmere blends for the weight and finish you need.

The trial cuff

Fold the selected cloth to the finished depth and feel it over the layer worn underneath.

The cloth record

Note the width and weight beside the cashmere percentage.

Incoming coating

We use the agreed material and color when checking the incoming cloth.

Dispatch details

We can coordinate packing and shipping once we have the destination and roll instructions.

Cashmere for suits, jackets and coats

A softly tailored suit and a double-faced winter coat ask very different things of the cloth.

Soft gray and camel coating falling in parallel folds

From soft suiting to double-faced coating

Consider the weight along with how the garment closes and what the wearer will layer beneath it.

  • Suits and jackets
    Compare swatches around 280–460 g/m².
  • Double-faced coats
    520–640 g/m² is a reference range for a more substantial cloth.
  • A wrapped layer
    Cross the fronts as they would overlap when belted.
  • The finished edge
    Turn the cloth back at the cuff or hem before selecting a weight.

Sleeve room and fabric width

The swatch helps you judge comfort. The pattern tells you whether the cloth is wide enough.

  • Over a sweater
    Try the folded cuff against the layer the coat will go over.
  • Coat front
    Show the overlap, lapel and widest part of the front.
  • Usable span
    Confirm the cuttable width for the exact reference.
  • Cutting direction
    Allow for any layout in which all brushed panels face the same way.
A ribbed lavender cuff resting on softly folded knit fabric
Camel and gray swatches placed on matching softly brushed cloth

Does the reverse need to match?

Look at both sides where a collar turns or a coat falls open.

  • Two faces
    Send a reference for each visible color on a double-faced design.
  • Brushed surface
    Stroke the cloth in both directions and see how the light changes.
  • Lining
    Lay it beside the coating if the two will show together.
  • Order shade
    Record which face and reverse you approved on the swatch card.
Paper bodice and sleeve patterns arranged on green fabric

Planning lengths for outerwear

The large pieces in a long coat can leave fewer choices in a layout.

  • Body panels
    Start with the longest front and back.
  • Small pieces
    Include belt, pockets and cuffs cut in the coating.
  • First sample
    Allow a separate trial length to see how the edges sew up.
  • Production
    Give the remaining length in meters or yards per color for a roll check.
A magnifying glass showing a stitched seam in a pale fabric sample

The reference for repeat discussions

Two similar-looking mauve coatings can differ in cashmere content, surface and weight.

  • Fiber record
    Attach the blend percentages to the cutting.
  • Approved face
    Mark the outside and the direction of the nap if visible.
  • Sample notes
    Keep the details of the edge or seam your team liked.
  • At dispatch
    Specify any roll and color identification needed by the receiving team.

Softness and cashmere content

Touch can help you choose a hand. The material specification tells you how much cashmere is in the cloth.

Fine, soft nap on a curve of pale stone coating

Cashmere blend

Ask for the proportions of cashmere and the other fibers in the selected reference.

Ask for the fiber breakdown
Camel herringbone wool next to soft mauve coating

A wool alternative

Compare a wool coating of a similar weight, particularly where a collar needs more spring.

Compare outerwear fabrics
A closed folder and blank envelope beside a pink fabric cutting

Material documents

If the order requires a report, tell us which one. We can check what the supplier can provide for that cloth and intended use.

Check document availability
A close view of softly folded mauve cloth with a brushed surface

Checking the delivered coating

Place the approved cutting face up on the roll with the nap running the same way. Turn both back together to compare the reverse before cutting the coat.

A coating inquiry starts with the coat

Show the silhouette and where the edges turn back. Add the composition, shade, weight and length you have in mind so we can check current options.

Send a cashmere brief
Content
Cashmere percentage
Weight
Grams per square meter
Finish
Face and reverse

Cashmere fabric orders

We check the exact blend, shade, stock and the minimum roll or cut. Give a separate length for each color you need.
Ask about swatches or trial lengths in the chosen cloth. If a sewn jacket or coat is needed, include the design and size. Request a garment sample.
The reference, length, shade, stock, any sourcing or testing and destination determine the dispatch estimate. A fabric-only order has its own schedule. Delivery and production information.
Try the cloth where layers overlap. For a double-faced coat, 520–640 g/m² is a starting range. For a jacket or suit, consider 280–460 g/m². Feel the finished thickness at the cuff and hem.
Give the cashmere percentage, weight, usable width and meters or yards for each shade, along with the destination. Include both face and reverse colors if either will show.
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