WiseNatura
A woman wearing a fluid slip dress

Custom Silk Clothing

On a silk slip dress, a small change in strap length shifts both the neckline and the hem. Bring us the length you have in mind and a reference for how the silk should fall.

A hand lifting a striped fabric sample to assess its drape

Before cutting a silk sample

  • A sketch of your blouse, slip dress or outer layer will give us the shape. A reference garment works too.
  • Show where the neckline should fall and where the hem should finish on the wearer.
  • Include the intended shade, weight and lining if known. You can also send a swatch with the drape you like.
  • We normally make at least 10 pieces of each style, color and fabric combination. Ask us to review your quantities if they are lower.
  • Name any fabric documentation the buyer expects, so we can check it against the chosen silk.

Decisions to make on a silk sample

Review the sample in daylight and in motion. A neckline that looks even on a hanger can sit differently once the straps carry the dress.

Cutting and finishing

Our Hangzhou factory has 2,800 m² for cutting, sewing, finishing and packing, including work on silk garments.

Current silk options

Give us a reference swatch or the momme weight and shade you want. We can check the current choices before making the sample.

Neckline and straps

A physical fitting lets you mark the strap length and see whether the front lies as intended.

Fit notes and labels

Put the finished bust, hip and length on the size sheet and mark the position of labels on the inside view.

Fabric through final inspection

The team checks incoming material, work at the sewing stage and finished appearance against the approved details.

More pieces in a shade

For a repeat order, quote the original silk and shade. We check current availability and the production schedule.

Silk blouses and dresses

Four illustrated cuts show how a neckline, sleeve or hem can change the look of silk. Choose one to discuss or bring a different reference.

Rose crepe with a softly textured surface

What changes between 16 and 22 momme?

Momme describes weight. Across the 16–22 momme range, handle silk in the shade you intend to use and look at it against the body.

  • Softer shirts
    Try silk around 16–19 momme for a softly falling shirt. Check how the fronts hang when the neck is open.
  • Dresses and more substantial layers
    Silk around 19–22 momme is worth comparing for a dress or layer with more body. Ask which shades are available in that weight.
  • Hand and drape
    Hang a swatch against the intended lining, then view it in motion and in daylight to judge coverage and drape.
  • Approved silk
    Keep the chosen swatch with its weight and fiber content for the production order.

Develop the drape on the body

The neckline, strap position and hem length affect how a fluid silk garment moves.

  • Blouse front
    Mark how low the neckline falls and whether the front should tuck in or hang free.
  • Slip straps
    Specify strap placement and length before reviewing neckline coverage.
  • Dress proportion
    Give both the garment length and the desired position on the wearer.
  • Layering
    Check room through the upper arm when a silk layer is worn over another piece.
A teal slip dress moves through the hem as the model walks
Plum, copper and champagne blouse cuffs with narrow ties and matching fabric cuttings

Silk color in changing light

Look at a flat piece of silk and then let it fall into folds. The color can appear quite different along the highlights.

  • Stock colors
    Check shades in the chosen weight. A color offered in one silk may be unavailable in another.
  • Color target
    For a custom match, send a Pantone reference or a piece of material showing the target shade.
  • Over the lining
    Lay the silk against the lining you plan to use and look at the combination in daylight.
  • Another dye lot
    Retain a cutting from the approved shade to compare when the style comes back into production.
Narrow straps and a fine curved neckline edge on a rust silk camisole

Refine the neckline and hem

Review the visible lines in the same silk weight and shade you intend to produce.

  • Blouse cuff
    Set the cuff width and opening so the sleeve gathers or falls as intended.
  • Neckline finish
    Compare the neckline with a reference while the garment is worn.
  • Side opening
    Specify the slit height and review ease of movement.
  • Hem and shine
    Inspect the hem in changing light. A fluid cloth shows the line of a seam as the wearer moves.
Folded garments beside an unmarked packing checklist and carton

How the silk pieces will be packed

A folded blouse and a long slip dress may need different packing instructions even when they share a label.

  • Hangtags
    Supply the final hangtag artwork and mark an attachment point on the garment.
  • Unit packing
    Show the fold and where the size and color should be visible on each unit.
  • Cartons
    Send the size and shade breakdown if individual cartons need to go to different shops.
  • Paper packing
    Ask about kraft or recycled paper and recyclable cartons once you know the required pack size.

What to check on a silk swatch

Keep the fabric specification next to the chosen swatch. The weight and fiber content answer different questions about the dress.

Terracotta satin with a lustrous drape

Composition

Request the actual fiber percentages of the silk under consideration for your order.

Confirm fiber content
A cream open weave beside copper-colored satin with a glossy fold

Comparing the drape

Hang silk and linen cuttings of similar size from one edge. The difference between a fluid fold and a crisp one is easy to see.

Compare Materials
A plain folder and envelope beside a small mauve fabric cutting

Reports for that silk

Give us your buyer’s documentation request and the garment’s intended use. We check what the supplier can provide for the selected silk.

Check silk documentation
A skirt hem being pressed on the worktable

Following the finished seam

Check the side seam and hem while the wearer walks. Once you approve the way the garment hangs, the sample and measurements guide production. We check the finished appearance and packing before dispatch.

Send the silhouette you have in mind

A neckline reference is helpful for a blouse or slip dress. Include the size range, silk preference, units per shade and the date you want the pieces.

Request a silk quote
10 pieces
Standard per style, color and fabric
7–15 days
Typical garment sampling
25–30 days
Typical bulk production

Questions about a silk order

When planning a launch, leave time to try the dress on in the actual weight and shade before you approve the run.

A change of weight changes the fabric. The usual minimum is 10 pieces per style, color and fabric combination. We can review a smaller quantity in either weight.
Adjust the straps to the intended length, then walk in the dress to check the neckline, side seams and hem. Making a sample typically takes 7–15 days, depending on silk availability, design and scheduling. More on garment samples.
We also need your approval of the sample and final order details. After that, bulk production is typically 25–30 days depending on fabric availability and scheduling. Add transit time separately. Production and shipping stages.
Momme measures fabric weight. Our reference range is 16–22 momme, approximately 69–95 g/m². Around 19 momme is a starting point for workwear and dresses, while 22 momme gives a more substantial fabric.
A blouse sketch should show the finished bust, armhole and cuff. For a slip, mark the strap positions, hip ease and hem length. Give expected units by style and shade as well.
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